A few weeks ago, they requested I write an article about one of the paintings by Hopper as well as the Nighthawks and I, as an experienced researcher, was able to find out. It is well-known or at the least learn by experience, that in order to appreciate a painting it is necessary to know the history of the painting and the painter, and above all the setting in the which it was painted. It is surely an universal thing, that transcends both space and time making it is recognizable over the course of hundreds of years. The meanings are subject to change as society and the world evolve and what was once able to be easily seen, maybe several years after, is not so obvious. What was not considered before is now revealing the process to us in a completely different way.Re-defining a piece of work in the course of timeThis is a bit like what I imagine happens when you see the work of Hopper's " Nighthawks" that was shut at the bar, late at night, in that window that resembles a fish tank, in the same position as the characters he that are observed.I believe that in this work, Hopper was trying to open up space to the viewer, allowing him to observe the silent serene, well-detailed and peaceful scene given to us by the darkness.This particular space, created for an active audience, is perhaps the keystone, which allows the painting to be changed over time and consequently to be timeless, immortal and even contemporary.The piece, which was created in 1942, cannot be immediately linked to a specific time period however it appears that its date can be altered depending on the changing viewer, depending on the exact time at the period in which the work is viewed. https://yarabook.com/post/1135550_https-openartimages-com-search-edward-hopper-a-few-weeks-ago-they-asked-for-me-t.html believe this is the most important aspect of reading, the space dedicated by the observer that Hopper desired to create.I'll explain.In https://notes.io/FBL1 for information and news about Hopper's " Nighthawks" I was able be aware of how many people have described it by highlighting these elements:"[...] the feeling of emptiness of the world that's shimmering patina is beginning to fade. [...] The distinctively commercial essence lies, the myths rip off their masks to reveal a displaced reality, without reliable sources of reference in the face of uncertainty and a lack of morality. "Night and transformationI think this interpretation is not complete which means that it's an interpretation influenced from the socio-cultural context and by the dates associated with the work of The United States between the 40s and 50s, in the boom in economics which redefined the cultural and social assets that were a part of the life of people, a society that is even a bit bourgeois, where nightclubs are viewed as places of isolation, despair and existential emptiness.This is somewhat true and slightly not.<img width="397" src="https://i.pinimg.com/originals/0f/80/d5/0f80d5836b3601aef5bb3eb689eb9a90.jpg">When I first saw this painting, without having studied it, it gave me a lot of joy and peace, with its bright contrast and its nighttime stillness.Perhaps, as a resident of the midst of a huge, noisy and bustling city, nighttime is one of the moments that I am able to enjoy the city in a more peaceful way: fewer people around and fewer vehicles and less noise, more spaces between the streets to make the most of, and the best place to be, beneath the night sky that is starless. The night has a very different meaning for me than those who frequented bars in America. United States during the 40s: when the sun goes down the city changes its face, the streets become more free and simple.We must not forget how society has evolved over the course of more than half a century of social and cultural changes. This is the case that occurred between Pop as well as Rock culture, and between the psychoedelic movement and the 2000s.Personally, as a daughter in the 90s, I was also a night-time kid and by that I mean all the "formative" experiences that the night brought me. For me , it's normal to go out in the evening usually walking through the neighborhood on Saturdays looking for the best party, dancing until dawn and riding around on a motorbike or car to find the last open bar where to get the hot pizza or croissant or hot pizza, and then where to sip the last glass and light the last puff before dawn arrived. From the 80s and to the present, nightlife stopped frightening those who stayed at their homes (let's keep in mind the anti-prohibitionism movement and jazz movement and the cursed Poets, all perfect evening owls) and has since become the cradle where many personalities are able to enjoy the tranquility and security of the other night hawks.Hopper's contemporary realismThe painting of Hopper today reminds me of a variety of scenes from contemporary life, and makes me feel satisfied and sympathize with the last three characters who engage in an exchange of words while the bartender is cleaning the bar to end the bar and begin a new. The nocturnes want to rest in the solitude of their nightly companions. They meditate on their lives observing their surroundings through a glass, and form a group of the night, accepting all and not judging anyone. It's no accident that in the most ancient ancestral civilizations such as the Indian one the hour and a half before dawn is called Brahmamuhurta which is also known as the time of Brahma which is the ideal moment to commit oneself to meditation, prayer as well as study and reflection. In this space of time the energies are more acute as well as intense but with tranquil, spiritual intensity.I don't see any solitude or empty space in Hopper's painting. I saw more of it in the streets that were gentrified in the night quarters, since even the right-thinking citizens began going out at night.In other words, the most famous and oldest areas were transformed into showcases for the consumer as the spontaneous gatherings of people who gathered in the square had to rearrange themselves in line waiting to be seated; and the music of the drums along the side of the street was slowed by police sirens. That scares me today that nighttime is degraded by its sacred , timeless atmosphere and by the fact that it is an occasion of aggregation for the lone wolves, and is now an additional uncovering tool of the system that demands transparency and respectability from the darkest corners in the city.


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Last-modified: 2021-11-17 (水) 15:00:52 (901d)